Barbra's Return to Pop
September
20, 2005 -
There's
a line
in the
new
Streisand
ballad
It's
Up To
You,
that aptly describes the artistic collaboration of Barbra with
producer-writer Barry Gibb:
"I'm
ready
to be
all
you
want
me
to.
It's
up to
you."
Barbra
has
instinctively placed
her
trust
once
again in
Gibb's
capable
hands
as he
guides
her on
this
delightful pop
journey
of
Guilty
Pleasures,
her
latest
album.
The
result
is a
musical
array
of
scrumptious
contemporary
delights.
Barbra
offers a
collection
of
unique
performances,
most of
which
were
written
just
for
her.
The
surprises
come,
track
after
track,
as we
listen
to
Barbra
weave
her
way
with
jazz, bassa
nova,
doo-wop,
and
yes,
even
disco,
an
homage
to the
Streisand/Gibb
collaboration
of
some
25
years
ago.
There
is
perhaps
no
better
performance
on
Guilty
Pleasures
than
Without
Your
Love.
The
melody
is
gentle
jazz,
the
lyrics
are
artful
poetry,
and
the
vocals
are,
well,
they're
classic
Streisand.
It's
by far
the
best
ballad
she's
recorded
in
years.
Out of
the
vintage
Gibb
vault
comes
(Our
Love)
Don't
Throw
It All
Away,
one of
the
selections
not
written
expressly
for
Barbra.
It
resurfaces
here
in a
sophisticated
reinterpretation
as
Barbra
gives
this
Andy
Gibb
top-10 chestnut
an
extreme
makeover.
What
emerges
is a
true
Streisand
performance
piece.
You'll
hear
every
word
and
savor
every
note.
It's
Barbra
performing
musical
theatre,
and
we're
front
row,
center.
Barbra
vocals
are as
crisp
and
vibrant as
ever
and
Guilty
Pleasures
will
surely
be
considered one
of her
finest
albums.
Barbra
tackles
the
the
album's
stylistic
diversity
with
such
seamless
ease
and
grace,
demonstrating
once
again
why
she is
the
unquestioned
master
of
modern vocal
interpretation.
But in
the
end,
it's
really
the
union
of
Barbra's
vocals
with
Barry
Gibb's
writing
and
producing
that
makes
Guilty
Pleasures
work
so
well.
Barbra's
return
to pop
music
is the
true
pleasure
here,
and
joyfully,
the
pleasure
is all
ours.