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Feature |
The Barbra Reunions:
Part 3 |
April 2010 |
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Los Angeles was the site
of "Barbra - The Third Reunion" - and what a reunion it was. Not only
were we treated to an evening with Barry Dennen, one of Barbra's
closest friends from her early Greenwich Village days, but he brought
along something extraordinary for us to hear.
And no one will ever forget the magnificent Saturday afternoon we all got to spend in
the Art Deco House at Barbra's former Malibu
estate. |
"BARBRA - THE THIRD REUNION"

Los Angeles -
April 25 - April 27, 1997 |
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Friday
Evening
Our home base for
The Third Reunion
was the Wyndham Bel Age hotel in West Hollywood, California,
just off of Sunset Blvd. As this was the first of the Reunions
to be held in the the LA area, there was monumental interest
in the event. Like the New York reunion a year earlier,
hundreds of fans from around the globe showed up.
As soon as the attendees checked in, they were directed
to the first event: a rooftop cocktail party and dinner that boasted a
panoramic picture-postcard view of the entire Los Angeles
area. Food and drink were in ample supply as everyone mingled
and used the occasion to catch up. A live piano performance
was provided by a very talented fan. Her performances provided
perfect musical ambiance to set a
"California Casual" tone for the weekend.
Following dinner, the attendees were then invited into the hotel's ballroom
where the first formal presentations of the weekend began. As
is tradition, a welcome-themed video was played. The
video was called "There's No Business Like Show Business" and
featured various iconic clips from Barbra's films.
One by one, several fans were invited up to the podium to
share their experiences of either actually meeting or just
encountering Barbra. The stories were as interesting as they
were varied. One fan told of her experience being directed by
Barbra as an extra on "The Mirror Has Two Faces." Another
recalled the time she asked Barbra for her picture: "...So
I asked her, 'Miss Streisand, can I have your permission to
take your photograph?' Barbra said, 'You can have it if you
can get it.' And then she ran off..."
The weekend's first guest speaker
to take the podium was Warren Seabury. Seabury was a
secondary producer who worked on Barbra's 1989 music
video, "We're Not Making Love Anymore." He gave a
firsthand account of his time working directly with Barbra
on the project. The video was shot on the recording stage
at Columbia Pictures and on location at LA's famed art
deco palace, The Argyle Hotel on Sunset.
Following Warren's
presentation, it was time to celebrate Barbra's 55th birthday,
which had occurred the day before. An enormous birthday cake
was wheeled into the room and enough slices were carved up for
all.
Before everyone retired to their rooms or the hotel's lounges,
one last video closed out the evening. This one was themed
"Showstoppers" and presented exciting musical moments from
Barbra's concerts, TV specials and films.
Saturday Morning
and Afternoon |
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You
could almost taste the excitement in the air as everyone
reconvened in the ballroom Saturday morning.
After watching all the interviews and leafing through all
the magazines, the day finally arrived when we would visit Barbra's former
estate in Malibu, including her fabled Art Deco House.
Barbra lived on the property with Jon Peters for a number of
years. She purchased several individual properties and combined
them into one large estate with five homes. While in
residence, Barbra did much of the creative planning for two of
her films, "A Star Is Born" and "Yentl." The compound was also
the location of Barbra's 1986 "One Voice" concert. The cover
of Barbra's "Wet" album was taken in the Jacuzzi on the
property as well. Visiting the place where Barbra actually
lived, worked and performed had everyone hyped up with
anticipation.
First, the
Reunion committee offered everyone a primer on the
Malibu compound. Clips of various interviews Barbra gave at
the property throughout the years were played before the
busses were loaded for the 45 minute drive up the coast. And
of course, this being Hollywood, the tour included a brief
drive-by at another former Streisand residence, her one-time home on Carolwood Drive in Holmby Hills.
Our
arrival at The Streisand Center for Conservancy Studies, the
official name of the property at the time, was nothing
short of spectacular. As we walked
through the gates, feelings of excitement and extraordinary
privilege took hold. Visiting the place where Barbra
actually lived was so personal. It couldn't have been any more
exciting if Barbra herself were there to greet us.
But it was
the property's wonderful curators who actually met our group
and hosted our visit. We were shown all around the property
and taken through each of the homes. The curators offered insight
into Barbra's life at the compound and of her devotion to the
horticultural aspects of living there. Ruth Kilday, one of the
directors at The Streisand Center spoke of how Barbra and
Jon Peters managed to create their own little Shangri-La:
"All the
structures were here, in one fashion or another, when they
bought each piece. And of course, they embellished it and then
added the gardens and the brick and the walk work to try to
unify it into one compound. But each structure has a total and
unique architecture to it. They all look completely different,
and they all have gardens that surround each structure that
are completely different from each other but go with that
particular structure."
Once the formal
tour was over, lunch was provided on the expansive lawns in front of The
Barn, the particular house on the property which Barbra
actually lived in. Afterwards, we were allowed to roam around the
property at leisure. Naturally, it was the famed Art Deco
house that fascinated everyone the most. It was a joy to explore
each room in the house that, just a few years prior, had
graced the cover of Architectural Digest in an feature that
demonstrated how Barbra's artistic instincts were not just limited
to the world of entertainment.
While the visit to The Streisand Center was a major highlight of the
weekend, what was about to unfold back at the hotel would be
simply mind-blowing.
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Arriving outside the Art Deco house

Enjoying a moment inside the Art Deco house

Exploring the "One Voice" meadow
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Saturday Evening
What
could possibly top our once-in-a-lifetime
visit to The Streisand Center? Barry
Dennen had the answer when he took to the podium as the
evening's very special guest speaker.
Barry Dennen knew Barbra back in 1960's Greenwich Village
when she was a struggling actress.
They became the closest of friends. Barry's
memoir, "My Life With Barbra - A Love Story"
had not yet been released when he
spoke at the Reunion, so he used the
occasion to read several intriguing
passages from the book. Barry
recounted those early days with Barbra,
and vividly described the first time
he learned that she could sing. He
spoke of helping arrange for Barbra's first nightclub appearances,
and in particular on how he convinced
Barbra to audition for her very first
gig at The Lion.
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Barry
Dennen Speaks at The Reunion |
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Barbra and I were in a really hideous production of "The
Insect Comedy" where we were all bugs. We met when we worked on our
scenes together. We played for three nights. There was the pre-opening
night, the opening night, and the closing night.
Barbra and I never talked about singing or songs or anything like
that. No one that I knew had ever heard her sing ... and then Barbra
began to sing ... I believe that this was the exact moment when
"Barbara" first began her metamorphosis into "Barbra" ... This woman I
thought I knew had one of the most breathtaking voices I had ever
heard.
Our memories of the time we had together, I think, are very fond ... I
have a fantasy that she reads the book and calls me up and says,
"thank you." |
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Though they are estranged these days (we doubt that Barry
ever got
that "thank you" call. In fact, Barbra has since
disavowed much of what he wrote in his
book), Barry did offer an
interesting anecdote of the time Barbra called him up in
1992. Among the many topics they discussed during
that phone call was the possibility of Barbra's return to
public performing. Barry told us, as he contends in his
book, that he was a major influence in Barbra's decision to return to
the concert stage.
And that's
the intriguing thing about Barry. He's interesting and
provocative.
So as Barry spoke, everyone sat up in rapt attention.
After all, we all knew of his fascinating history with
Barbra and of their legendary relationship when they were
both just starting out. In the story of Barbra Streisand's
life, Barry Dennen is a central character and we were
delighted to have him with us for a few hours.
But it was Barry's "show-and-tell" that was the real
spotlight grabber. Mid-way through the presentation,
everyone in the room was shocked when Barry announced that
he was going to play one of his private recordings. Yes,
those recordings, the homemade tapes that Barry
made of Barbra when they were putting together her very first
nightclub act. Outside of Barry, Barbra and
perhaps a few of their closest pals, only a handful of
people in the entire world
have ever been allowed to hear any of the stuff on these
tapes. We were about to be included
among those privileged few to hear one of the rarest of Streisand recordings.
The song Barry brought along for us to
hear was Barbra's rendition of "A
Taste of Honey." It's important
to note that this particular recording
was made before Barbra appeared in the
musical "I Can Get It For You
Wholesale." In fact, at the time of
the recording, Barry had only recently
learned that Barbra could even sing.
The 1960 recording took place in
Barry's living room as he accompanying Barbra on
the guitar. For two exciting minutes, the music played in front of
a reunion audience that didn't dare take an audible
breath. This was music history being presented to us on a
silver platter and not one person wanted to miss a note.
When the tape was over,
the entire room gave a thunderous ovation. What we had
just heard was truly remarkable. Thrilled at the
enthusiastic reception, Barry was kind enough to play the recording a
second time. It was a moment of pure astonishment provided
by one of the most interesting and colorful people ever
associated with Barbra Streisand.
Barry hung around a while longer,
taking questions and signing
autographs. After Barry left, the
physically and emotionally exhausted reunion crowd concluded
their action packed Saturday with a
screening of "The Mirror Has Two
Faces" followed by the aptly named
"Enough Is Enough" disco dance. |
Sunday Morning |
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The whirlwind
weekend concluded on Sunday morning with another
tradition: the ever-popular memorabilia show. Once
again, vendors from across the country were invited to set
up shop in one of the hotel ballrooms as reunion attendees
and local day visitors perused their special
Streisand-related wares.
There was something for everyone, and the rarest collectibles
were available (commanding some of the
highest prices known to man) for those with deep pockets.
The reunion attendees always found it fun to visit these
vendor booths and to discover new must-have items. This
show was no different.
To help defray the costs of the weekend's events, a silent
auction was held. Prior to the formal conclusion of the
weekend, the winning bidders were announced and came up to
collect their treasures. Included in the silent auction
was an autograph provided to the reunion by Barbra's
management. It was the first recognition of any of the
reunions by Barbra and her people. We were all glad that
she knew we were in town. |

Something for everyone at the memorabilia show |
So as The Third Reunion came to a close, the committee
declared it to be another unqualified success. Following a
goodbye-themed video presentation called "When You Gotta
Go" (accompanied by Barbra's 1969 performance of the
number at the Las Vegas International Hotel), everyone was
once again invited back. The Fourth Barbra Reunion would
again be held in Los Angeles the following year to
coincide with the 40th anniversary of the film, "Funny
Girl." |
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